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Luma sparkling water packaging design

Luma is a fictional functional sparkling water brand I created in my free time. It is a healthy, zero sugar, summery drink built around bright fruit flavor and an easy warm-weather mood.

Toolkit: Adobe Illustrator, Adobe Photoshop, Google Gemini, ChatGPT, Claude

Interactive preview
Luma

Mango Hibiscus

Chilling the can…

01 · The Brief

The Brief Was One Word

Luma started from a single idea: light. Everything else on the can reports to it.

I wanted a can that feels like summer: bright, warm and a little playful. Zero sugar shouldn't mean a dull-looking drink.

So the can leads with color. A gradient from mango gold to coral reads as ripe fruit, a pink drip pours over the top, and the rounded wordmark keeps it friendly. The goal was a zero-sugar drink that looks like something you want.

Luma wordmark

02 · Naming

Naming Toward Light

Luma comes from lumen, the unit of visible light. The name stays abstract on purpose, so it can cover a range instead of a single drink: mango hibiscus now, something else next season.

“Taste the Bright Side!” turns the abstract name into a claim. It's set heavy enough to work as a secondary lockup, so it never reads as an afterthought under the logo.

The two are drawn as a unit and spaced as a unit. Anywhere the wordmark appears at size, the line travels with it.

A name that describes one flavor stops fitting at the second SKU.

03 · Color

A Palette Drawn From the Ingredient Deck

Coral comes from hibiscus, gold and amber from mango. Every color is sampled from what's in the can.

Mango Gold#FFC857

Sunlit Amber#FBA45D

Ember Peach#F98B60

Hibiscus Coral#F45B69

White#FFFFFF

Every hue sits between 355° and 39°, a 44° slice of the warm half of the color wheel.

Warm-only

Flavor reads before type does

Keeping the whole range warm signals flavor from a distance, before any word is legible. Color temperature is the fastest signal a package sends, and it lands before the shopper decides to read anything.

Summer mood

A color you can feel

Mango gold at the top fades through amber and peach into hibiscus coral, like a late-summer afternoon. The colors are bright and warm on purpose, so the can feels like a day off before you read a single word.

Headroom

Cool left deliberately unspent

Nothing in the system uses blue, green or violet, which leaves the cool half of the wheel open for new flavors as the line grows. The sixth SKU was planned for while designing the first.

Luma drip, mango pattern and gradient artwork

04 · The Ownable Assets

What Gets Recognized From Across the Aisle

A wordmark tells you the name. A repeatable graphic is what people recognize. On this can, the drip, the mango pattern, and the gradient under them do that work.

The drip solves a production problem

The lid breaks any gradient that runs to the top of a can, so the artwork would just stop where the metal curves away. The drip gives the color a planned ending, and the eye reads it as a pour.

The pattern rewards a second look

The mango outlines are drawn at forty-five percent opacity over the same gradient that sits behind them, so they register as texture at arm's length and resolve into fruit only up close. A pattern loud enough to read instantly would compete with the wordmark for the first glance.

The gradient carries the flavor

Coral into amber into gold runs the full height of the can. It's the only element that changes between flavors, so the drip and the pattern carry over to every can.

05 · Proof

The Shelf Test

I photographed a soda shelf at Target, placed Luma in the empty slot under the store's lighting, then ran the whole shelf through three stress tests.

A Target soda shelf with a Luma Mango Hibiscus can between Olipop and Cove Soda, beside SkyPop and Bloom Pop, and a Luma price tag on the shelf strip below
Composite: Luma placed into a photo I took at Target. Every other can on the shelf is real.
The shelf photo shrunk to the size of a post in a feed

Thumbnail

Shrunk to the size of a post in a feed, the type is gone. The pink drip and the white band still pick Luma out from its neighbors.

The shelf photo in grayscale

Value only

Without color, Luma is the lightest can on the shelf but also the flattest, and its wordmark nearly disappears into the gradient. The white claims band and the drip's keyline carry it.

The shelf photo blurred, the way peripheral vision sees it

Peripheral

Out of the corner of your eye, only color and shape register. Bloom Pop shares Luma's warm yellow, and the pink band of drips is what tells them apart.

The shelf challenged one assumption: Bloom Pop and SkyPop are warm too, so warm color alone doesn't separate Luma here. The drip identified it in all three tests, which makes it the asset to protect.

06 · Production

From Screen to Substrate

The dieline turns the label into something that can be printed and wrapped around a can.

Flat label, 1630 × 984 px. Wraps Ø66 mm × 122 mm.

Wrap seamSafe zoneSafe zoneZero bleedZero bleed

Drag or use arrow keys to rotate

Seam at 0 mm of 207 mm

01 Wrap seam

The artwork closes on a vertical seam. Drag the can and the join moves through the pattern without landing on a broken motif. That was planned from the start.

02 Lid interruption

The lid curve cuts off the top of the gradient, which is why the drip exists.

03 Zero bleed

The artwork has no bleed at either edge, so the wrap length is set by scaling the artwork. Scale it wrong and the legal type gets clipped.

04 Safe zone

Nutrition and legal copy sit inside the flat wall, clear of the shoulder taper where printing distorts.

These details don't show on the finished can, but the can can't be printed without them.

07 · Voice

Saying It the Way the Can Looks

The copy has to sound as warm as the can looks.

The line

Taste the Bright Side!

Three rules

01

Warm, never cute

Optimistic, with no baby talk and no winking.

02

Plainspoken, never clinical

Ten calories is a fact. State it plainly and move on.

03

Never apologize for zero sugar

The category treats ‘zero’ as a subtraction that needs justifying. Luma treats it as a given and spends the sentence on flavor instead.

One rewrite

Before

A deliciously refreshing zero-sugar sparkling water with natural mango and hibiscus flavor.

After

Every sip should brighten your day.

The first line lists ingredients. The second gives a reason to drink it.

08 · Accessibility

Legibility Under Constraint

Accessibility usually comes up for screens. Packaging has the same obligation, and a can has no dark mode.

SwatchPairingRatioAA Large
#F45B69White #FFFFFF on Hibiscus Coral #F45B693.2 : 1Passes
#FFFFFFHibiscus Coral on White: ‘ZERO SUGAR’3.2 : 1Passes
#D68000Flavor name #D68000 on White — ‘MANGO HIBISCUS’3.02 : 1Passes
#2A2A28Black legal type on White — nutrition panel21 : 1Passes

The one that failed

The flavor name was first set in Mango Gold on white at 1.54 : 1, which fails at any size. The audit caught it before the artwork was final. I kept the color family and looked for the brightest version that still passes. At 3 : 1 on white, luminance has a ceiling, so the question was how much saturation could stay under it.

The failing pair was fixed before the artwork was final.

09 · Extensibility

Built to Hold More Than One Flavor

Everything that carries the brand works in any color: the wordmark, the drip, the pattern, and the claims band. Swapping the gradient changes the flavor and leaves the rest alone.

Mango Hibiscus

Juicy mango with a tart floral finish

Passionfruit Lime

Bright passionfruit with a crisp lime snap

Cucumber Mint

Cool cucumber with a clean mint finish

Blackberry Lavender

Jammy blackberry softened by lavender

I set that rule before finishing the first can, because an identity that only works in one colorway can't extend into a flavor line.

10 · Reflection

Reflection

What the work taught me, and what I would do differently with the next one.

01

The best asset came from a constraint

I drew the drip because the artwork had nowhere else to end under the lid. The strongest element in the system came from a manufacturing limit, and that has changed how I start projects.

02

I picked the color before I tested the pairing

The flavor name failed contrast at 1.54 : 1, and I didn't catch it until the audit. I judged the swatch by itself instead of against the white band it would sit on. Contrast belongs to a pair of colors, so I now test pairs.

03

It has only been on a shelf digitally

I photographed a real soda shelf and placed the can into it under the store's lighting, which is how the shelf test was run. A printed can on a physical shelf is still the test that decides whether it works.

The design is finished, but it still needs a test with a printed can.

Interactive preview
Luma

Mango Hibiscus

Chilling the can…